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introduction_to_social_media [2022/01/03 18:01] – Initial draft bugfixes ntnsndr | introduction_to_social_media [2025/08/11 17:48] (current) – external edit 127.0.0.1 | ||
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**MDST 1002** | **MDST 1002** | ||
- | Introduction to Social Media introduces students to network structures and principles, | + | This course |
+ | |||
+ | Students should expect to come away with an enlarged perspective on social media, including the histories, public policies, and global forces shaping the apps and networks widely used today. Projects invite students to apply these insights critically and constructively. | ||
## Learning goals | ## Learning goals | ||
* Understand key concepts in social media and media studies | * Understand key concepts in social media and media studies | ||
- | * Analyze | + | * Describe |
* Apply insights into a proposal for a new network or feature | * Apply insights into a proposal for a new network or feature | ||
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Nathan Schneider (" | Nathan Schneider (" | ||
- | < | + | Contact via Canvas Conversations ([[: |
Armory Building, 1B24 | Armory Building, 1B24 | ||
- | Office hours: Wednesday at 3-5 p.m., or by appointment | + | Office hours: Wednesday at 3--5 p.m., or by appointment |
Website: [nathanschneider.info](https:// | Website: [nathanschneider.info](https:// | ||
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The TAs in this class are accomplished graduate students in the Media Studies department with active research agendas. They will work with the instructor on teaching, guiding class exercises, and evaluation. Each TA will have a section of students throughout the course. Take the opportunity to get to know your TA, as they are your main point of interface for questions and concerns. | The TAs in this class are accomplished graduate students in the Media Studies department with active research agendas. They will work with the instructor on teaching, guiding class exercises, and evaluation. Each TA will have a section of students throughout the course. Take the opportunity to get to know your TA, as they are your main point of interface for questions and concerns. | ||
+ | |||
+ | TAs will do their best to get back to you within two business days. Please plan ahead on the assumption that you will not hear back during weekends, holidays, or evenings. | ||
## Nodes | ## Nodes | ||
- | The coursework includes four equally weighted components. These all revolve around the expectation of participation in class sessions. Students and TAs will produce collaborative class notes. | + | The coursework includes four equally weighted components. These all revolve around the expectation of participation in class sessions. |
### In-class quizzes (25%) | ### In-class quizzes (25%) | ||
- | Each class meeting we will have a short quiz. It will include | + | Class meetings |
- | Students may have one missed quiz automatically voided during the semester. If you need to miss class due to illness, religious observance, or emergency, please inform your TA ahead of time. | + | Quizzes are meant to be taken individually, |
- | ### Network participation (25%) | + | If you need to miss class due to illness, religious observance, or emergency, please inform your TA ahead of time. Additionally, |
- | Naturally, we have our own social network. We host, manage, and moderate it ourselves. It is an instance of [Mastodon](https:// | + | ### Quests |
- | Since our network is ours, we want it to be healthy. Report any concerning behavior with `#report`. If you would like to make a proposal for changing our network rules, please do so with `#proposal`. The instructor and TAs will collectively make final decisions. | + | In and out of class, we will use a private, self-managed social network |
- | Please note: The network may be viewed publicly, so you are welcome to use a pseudonym if you like. The instructor and TAs, however, must be able to map your pseudonym to your name in the university system for evaluation. | + | Each week before recitation on Friday, students should demonstrate their [[engagement_with_assigned_sources|engagement]] with the reading |
- | Each week before class on Tuesday, students should plan to post their reflections on the assigned materials, either | + | * Complete the Quest, which is specified in each week's assignment, in a post or thread (by posting and replying |
+ | * Reply to at least two other students' | ||
- | * At least 5 substantive posts | + | Posts from a given week will be evaluated |
- | * Constructive contribution | + | |
- | * Evidence of comprehension of the assigned materials | + | |
- | ### The missing README (25%) | + | * Completion of the Quest in a thoughtful and creative fashion |
+ | * Constructive contribution to the class discussion in replies | ||
+ | * Evidence of comprehension of, and [[engagement_with_assigned_sources|engagement]] with, the assigned materials | ||
- | Around the midterm, students will produce a README document about a social network—a " | + | Extra-credit bounties may be distributed |
- | Choose a network from the provided list. Produce a 1,000-1,200 word document, appropriately formatted | + | ### The missing how-to (25%) |
- | * Completion | + | Around the midterm, students will produce a how-to video about a social media platform---a " |
- | * Explanation of basic use, including affordances and disaffordances | + | |
- | * Analysis of the network's business model and ownership | + | First, choose a platform |
- | * Impressive research with in-text hyperlinks to all source documents | + | |
- | * Thoughtful, explicit engagement with at least one insight from the course textbook and at least one Artifact | + | Second, identify a specific intended audience. Audiences might include parents, younger siblings, a competing business, aspiring influencers, |
+ | |||
+ | Third, produce a 5--6 minute video appropriately formatted to introduce | ||
+ | |||
+ | Be sure to meet the following evaluation criteria: | ||
+ | |||
+ | * High-quality video presentation appropriate in tone and content for the intended audience | ||
+ | * Explanation of the platform' | ||
+ | * Analysis of the platform' | ||
+ | * Thoughtful, explicit engagement with at least two concepts covered so far in the course textbook | ||
+ | * Evidence of impressive independent research in both the video and bibliography | ||
+ | |||
+ | Turn in both the video (a playable link) and the bibliography (a PDF). The recommended strategy for creating your video is to use your campus Zoom account and make a " | ||
### Pitch video (25%) | ### Pitch video (25%) | ||
- | The final project for the course is a pitch video. Here, you propose a new social-media network, or an improvement to an existing one. The goal is to put what you've learned to use through constructive thinking. Your pitch should | + | The final project for the course is a 5--6 minute |
- | Record your pitch as a 4-6 minute video with a clear, concise slide deck. Turn in both the video and the slides | + | * Identify |
+ | * Propose | ||
+ | * Establish a value proposition for why the most important stakeholders | ||
+ | |||
+ | Your pitch will be evaluated | ||
* Complete pitch that fulfills the assignment and articulates the problem, solution, and value proposition | * Complete pitch that fulfills the assignment and articulates the problem, solution, and value proposition | ||
* Elegant, stylistically correct slide deck that illustrates the major points | * Elegant, stylistically correct slide deck that illustrates the major points | ||
* Originality and plausibility of the proposal | * Originality and plausibility of the proposal | ||
- | * Evidence of impressive outside research, | + | * Evidence of impressive outside research, |
- | * Thoughtful, explicit engagement with at least one insight | + | * Thoughtful, explicit engagement with at least two concepts |
+ | |||
+ | Citing sources in APA format involves in-text citation (Author, YEAR) as well as a full reference list (i.e., a bibliography) | ||
+ | |||
+ | Turn in both the video (a playable link) and the slides (a PDF). The recommended strategy for creating your video is to use your campus Zoom account and make a " | ||
### Grading | ### Grading | ||
+ | |||
+ | Grading will carefully follow the expectations stated in this syllabus, as well as the rubrics for each assignment in Canvas. | ||
+ | |||
+ | If you need an extension on any assignment, consult your TA ahead of time. They are not obligated to grant one. Late work will be penalized one letter grade per week, beginning with an automatic B immediately after the due date. | ||
+ | |||
+ | Plagiarism and similar lapses in [[academic honesty]] can result in no credit for the assignment and referral to campus authorities. Generative AI is permitted but should be credited as such and must not serve as a substitute for doing your own thinking and work. | ||
Based on the stated percentage structure, grades will be awarded as follows: A (94-100), A- (90-93), B+ (87-89), B (83-86), B- (80-82), C+ (77-79), C (73-76), C- (70-72), D+ (67-69), D (63-66), D- (60-62), F (0-59). The minimum passing grade is 60. | Based on the stated percentage structure, grades will be awarded as follows: A (94-100), A- (90-93), B+ (87-89), B (83-86), B- (80-82), C+ (77-79), C (73-76), C- (70-72), D+ (67-69), D (63-66), D- (60-62), F (0-59). The minimum passing grade is 60. | ||
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Together, we agree to: | Together, we agree to: | ||
- | * Work together to foster a respectful, mature, convivial community based on mutual learning through our diverse perspectives | + | * Work together to foster a respectful, mature, convivial community based on mutual learning through our diverse perspectives, following basic standards of [[class etiquette]] |
* Respect student privacy, keeping any materials or statements shared in class confidential unless permission is granted to do otherwise | * Respect student privacy, keeping any materials or statements shared in class confidential unless permission is granted to do otherwise | ||
- | * Adhere to all [[university policies]] | + | * Adhere to all [[university policies]], as well as course guidelines on [[academic |
* Accommodate disabilities and other diverse needs, making use of our own capacities and [[campus resources]] | * Accommodate disabilities and other diverse needs, making use of our own capacities and [[campus resources]] | ||
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The course revolves around a free, open-access textbook, hereafter _Humans_: | The course revolves around a free, open-access textbook, hereafter _Humans_: | ||
- | * iVoices Media Lab and Diana Daley, _[Humans R Social Media](https:// | + | * Diana Daley and students at the University of Arizona, _[Humans R Social Media - 2024 " |
Assignments include all content on the linked pages, including the self-quizzes and " | Assignments include all content on the linked pages, including the self-quizzes and " | ||
- | Each week additionally includes an "artifact"—a primary source that we will examine, dissect, and reflect upon. Some artifacts | + | For extra credit, students may propose corrections or improvements to the textbook. Each substantive improvement is worth one point of course credit, up to a maximum of three per student. Submit proposals in the dedicated discussion on Canvas. |
+ | |||
+ | Each week additionally includes an "Artifact"---a primary source that we will examine, dissect, and reflect upon. Some Artifacts | ||
+ | |||
+ | Some weeks we will also have a guest speaker. Please plan to familiarize yourself with the guest speaker before they come so you are well-equipped to ask questions. | ||
### Log-in | ### Log-in | ||
- | _Humans_: " | + | _Humans_: " |
- | Artifact: | + | Artifact: |
+ | Quest: None | ||
### Identity | ### Identity | ||
- | _Humans_: " | + | _Humans_: " |
Artifact: Angela Washko, " | Artifact: Angela Washko, " | ||
+ | Quest: Produce a multimedia testimony about how social media has (or has not) shaped your sense of your own identity; utilize not only text but also images, video, or audio | ||
- | ### Old to New Media | + | ### Old to new media |
- | _Humans_: "[Old to New Media](https:// | + | _Humans_: "[Old to New Media](https:// |
Artifact: Ted Nelson, _[Computer Lib/Dream Machines](https:// | Artifact: Ted Nelson, _[Computer Lib/Dream Machines](https:// | ||
+ | Quest: Use a piece of pre-Internet social-media technology and provide a report on the experience, including visual documentation | ||
- | ### Privacy and Publics | + | ### Social media histories |
- | _Humans_: | + | Judy Malloy, |
- | Artifact: [Civic Signals](https://newpublic.org/signals) (2021) | + | Artifact: [First Versions: Internet](https://www.firstversions.com/search/ |
+ | Quest: Create a timeline of major events in your relationship with social media | ||
- | ### Policy | + | ### Privacy and publics |
- | Anne Applebaum and Peter Pomerantsev, | + | _Humans_: |
- | Artifact: | + | Artifact: [Civic Signals](https://newpublic.org/signals) (2021) |
- | + | ||
- | + | ||
- | ### Social Networks and Online Communities | + | |
- | + | ||
- | _Humans_: " | + | |
- | + | ||
- | Artifact: "[How Black Twitter and other social media communities interact with mainstream news](https:// | + | |
+ | Quest: Introduce us to an online public that you know well, explaining its various norms, shared commitments, | ||
### Algorithms | ### Algorithms | ||
- | _Humans_: " | + | _Humans_: " |
Artifact: Shalini Kantayya (dir.), _[Coded Bias](https:// | Artifact: Shalini Kantayya (dir.), _[Coded Bias](https:// | ||
+ | Quest: Describe and depict, in as much detail as you can, an algorithm that you encounter or use in your daily life---or one that you want to exist | ||
- | ### Equity | + | ### Regulation |
- | _Humans_: "[Equity](https:// | + | _Humans_: "[Regulation](https:// |
- | Artifact: [Contributor Covenant: A Code of Conduct for Open Source Communities](https://contributor-covenant.org/) (2014-present) | + | Artifact: |
+ | Quest: Devise a law that would improve social-media regulation, explaining its rationale, how it would be enforced, and what new problems it might cause | ||
- | ### Activism | + | ### Exploring the splinternet |
- | _Humans_: | + | "[Global Influencers’ Content Creation Strategies: Negotiating with Platform Affordances to Practice Vernacular Creativity](https://journals.sagepub.com/doi/full/10.1177/01634437241276408)," |
- | Artifact: | + | Artifact: |
+ | Quest: Choose a story in _Rest of World_ about a country outside the United States, and explain how the Internet might feel different in that country than it does here | ||
- | ### Memes | + | ### Equity and activism |
- | _Humans_: "[Memes](https:// | + | _Humans_: "[Equity and Gender](https:// |
- | Artifact: [Know Your Meme](https://knowyourmeme.com/) | + | Artifact: [Feminist Principles for the Internet](https://feministinternet.org/) (2016) |
+ | Quest: Propose a manifesto of principles that you believe would make the Internet more just | ||
### Information | ### Information | ||
- | _Humans_: " | + | _Humans_: " |
Artifact: _[The Media Manipulation Casebook](https:// | Artifact: _[The Media Manipulation Casebook](https:// | ||
+ | Quest: Choose a case from _The Media Manipulation Casebook_ and devise a technological or social countermeasure that could defeat it | ||
### Relationships | ### Relationships | ||
- | _Humans_: " | + | _Humans_: " |
- | Artifact: Ingrid Burrington, "[The Center for Missed Connections](http:// | + | Artifact: Ingrid Burrington, "[The Center for Missed Connections](http:// |
- | ### Our Transformed Selves | + | Quest: Create a screenshot of an invented social network that connects people in a novel way |
- | _Humans_: "[Our Transformed Selves](https:// | + | ### Art and memes |
- | Artifact: Werner Herzog | + | _Humans_: "[Art](https:// |
- | ### Final two weeks: Wildcards | + | Artifact: [Know Your Meme](https:// |
- | At the end of the course, two units are available for topics of interest to the students. We will vote on options including these, along with student nominations: | + | Quest: Create a piece of media designed to spread, and explain why you think it will |
- | * Blockchain and cryptocurrency | + | ### Wellness |
- | * Business models and venture capital | + | |
- | * Cancel/call-out culture | + | _Humans_: " |
- | * Chinese social networks | + | |
- | * Fandom | + | Artifact: Jonathan Haidt and Jean Twenge, " |
- | * Moderation and governance | + | |
- | * Social | + | Quest: Design a set of rules for a social-media network for kids |
- | * Social movement media platforms | + | |
+ | ### Our transformed selves | ||
+ | |||
+ | _Humans_: "[Our Transformed Selves](https:// | ||
+ | |||
+ | Artifact: Werner Herzog (dir.), _[Lo and Behold, Reveries of the Connected World](https:// | ||
+ | Quest: None---focus on your pitches! |